IZMAILOV Evgeny Askerovich

August 13, 1939 (Moscow)

painter and graphic artist.

studied at the Moscow Art School in Lavrushinsky Lane (1953-1959), the Moscow State Art Institute. VISurikova (1959-1964) - first in the Faculty of Painting, and then to the theater.

in 1964-1969 as the author and artist has published several children's books.

In 1969-1979 a lot of experimenting with form, material, format, genre of his works. Engaged etching, making three-dimensional objects from wood, paper.

illustrated in two books of etchings.

From 1990-1995 he worked in Germany, Britain and France. In addition to machine-made things work in the volume, advertising projects, murals.

participant of numerous exhibitions, including:

1968 - "Old Moscow" - exhibition in the Society for the Protection of Monuments of Moscow (Moscow);

1975 - exhibition in the pavilion "Culture House" on VDNH (Moscow);

1977 - "Unofficial Russian Art" (London, United Kingdom);

1978 - "New Soviet Art" (Turin, France);

1981 - "7 Artists" (Austria);

1983-1985 - Exhibition of "21". MOHKG (Moscow);

1985-1989 - Exhibition of "20". MOHKG (Moscow);

1987 - "Retrospective of Moscow Artists 1957-87" ( "Hermitage", Moscow).

1991 - "Other Art" Moscow. 1956-76 (State Tretyakov Gallery, Moscow);

1991 - "ARTMIF-2" (gallery "Moscow Palette", Manege, Moscow);

1996 - "Ways of paper" (Central House of Artists, Moscow).

works can be found in many museums around the world, including in the Berlin City Museum, the Dresden Gallery (Germany), the State Tretyakov Gallery (Moscow), GMII im. Alexander Pushkin (Moscow), Tomsk city museum, as well as in private collections in Moscow, St. Petersburg, Vienna, Paris, Toronto, Seattle, Bangkok, Cologne, Hamburg, New York.

«... Stylistics of my work can be defined as a genre of lyrical fantasy based on the plastic and color variation. Connection of abstract and real, timeless and modern, the connection of heterogeneous principles defines a new quality. I basically do not give the expanded interpretation of their work, assuming that the image should bear free association, thus rendering the viewer complicit work ... » (Eugene Izmailov. Painting. Graphics. Projects. Exhibition Catalog. Moscow, 1998).